Sonic the Hedgehog
Gotta watch fast.
By Louis Balzani
Posted 8:06 pm on Feb 14, 2020
WATCH THIS IF:
- You’re a massive Sonic fan.
- You need to entertain your kids.
When the term “video game movie” comes up, what springs to mind? Mediocre productions like Prince of Persia and Assassin’s Creed? Mind-blowing abominations like Super Mario Bros. and Doom? Video game adaptations have struggled on the big screen, and although films like Detective Pikachu have helped change the narrative in recent years, there’s still a certain stigma attached to these projects. Fairly or not, a live-action Sonic the Hedgehog movie featuring a CG character in a human world sounds like another textbook example of game-to-screen garbage, at least on paper. That said, while the film is no masterpiece, it’s reasonable solid family entertainment that will appeal to longtime fans and younger viewers.
Growing up, Sonic (voice of Ben Schwartz) learns his body can release powerful bursts of electricity, and that’s a dangerous thing. After being forced from his world at an early age, he spends the next decade wandering Earth and building imaginary relationships with the denizens of Green Hills, Montana. One such resident, Tom Wachowski (James Marsden), dreams of more impactful police work than the gutter-cleaning and duck-removing tasks he faces in his tiny town. Unlikely events force Tom and Sonic together, at which point they must set out to reach San Francisco before a bad situation gets worse. In pursuit is Dr. Robotnik (Jim Carrey) and his army of drones, hell-bent on capturing Sonic and harnessing his power for nefarious purposes.
That’s a pretty comprehensive summary, believe it or not; to put it bluntly, the plot is bad. Likely in pursuit of the younger demographic, credited writers Pat Casey and Josh Miller crank out a buddy-road-trip story that’s predictable, flimsy, and cliche-riddled at every turn. Characters make a pit stop and cause a ruckus? Check. Villain gives chase on a crowded highway? You betcha. Protagonists’ vehicle eventually gets destroyed in a series of mishaps? Thoroughly. That poor Tacoma. It helps to have some fondness for the source material going in, as there’s little here to keep older viewers or non-fans engaged; Robotnik implying that his elaborate schemes are taxpayer-funded is about as “adult” as the comedy gets. Story holes crop up quickly as well; for example, Tom and Sonic’s antics make the former a nationally-wanted criminal, yet he’s still able to traverse the country and break into places with impunity? Sure.
Familiar themes are present – the importance of friendship, appreciating where you are instead of longing for where you could be – but are never really the focus. Now, this kind of film doesn’t necessarily need a deep, hard-hitting story, but it’s difficult not to see some missed potential here. Sonic games can get away with lightweight stories because their gameplay is the focus, but movies intrinsically lean on narrative much harder, and a more unique spin on such well-worn tropes would have made the proceedings more engaging. The film’s opening scene and climax give glimpses into a much more creative and exciting use of this world, something I hope any sequels take to heart.
What saves the film, then, are the performances of its three leads. Ben Schwartz is absolutely phenomenal as Sonic. Playing the character as a hyperactive 12-year-old with a caffeine addiction, he brings a buoying energy throughout, despite never getting much wit or edge from the script. Sonic runs his mouth ceaselessly, and in the hands of lesser talent, this could have quickly become grating and intolerable. Jim Carrey also elevates every scene he’s in with his devious, scenery-chewing turn as the 300 IQ-laden Dr. Robotnik. While more Yes Man than Liar Liar, his performance injects the film with some fun and manic moments. His spin on the character makes Robotnik intensely driven, motivated by an obsession with his legacy and accomplishments. He deftly walks the line between eccentric and all-out jerk; fans of the actor will be pleased to see him in his naturally-silly element once again. Finally, James Mardsen serves as a charming foil to Sonic’s insatiable energy, and his smooth charisma serves him well in the role. Also, you might not expect it, but Natasha Rothwell as Tom’s ever-more-irate sister-in-law got the biggest laughs of the film, so keep an eye out for her.
Technically speaking, the film looks and sounds quite good. Fast & Furious cinematographer Stephen F. Windon delivers polished, controlled, and attractive framing from start to finish. The action is clear, and the effects are solid throughout – Sonic is very expressive and well-animated. Family-oriented films often look cheap or intentionally wacky, and I’m very glad that’s not the case here. Tom Holkenborg, also known as Junkie XL, gives the story’s meager beats a boost with his grand and sweeping score. The soundtrack incorporates a few well-known songs smartly throughout, and there’s one cue toward the end of the film that’s just too perfect. As a whole, the film respects its source material, treating the titular character with respect and playing to his strengths rather than making fun of them. Franchise references come fast and often, mostly in the first ten minutes and right at the end; the obligatory animated credits sequence is filled with really fun nods to the Genesis trilogy, and the mid-credits scene brought the house down with excitement.
Ultimately, Sonic the Hedgehog does what it sets out to do: be an upbeat, family-friendly adventure film starring a recognizable video game mascot. While it’s not some great cinematic achievement, it certainly rises above the vast majority of game-based film fare, and it tells a story without trampling all over Sonic’s legacy; there’s fun to be had if you’re into the source material and set your expectations accordingly. If all you want is to hear an orchestrated SEGA chant through theater speakers and to celebrate your favorite game character making it to the big screen, then go see the film; you’ll have a great time, even if the same can’t be said for everyone else.